Avoid Highways

The source material for these works are minute-by-minute photographs collected during intentional walks or drives through places of personal significance. Each work contains the visual content of roughly one hundred individual views that have been combined mathematically. The final image is the result of averaging the brightness and tone of these many photographs, pixel by pixel, into a single visual composite. The process itself is photographic and literal, but the result is a form of abstraction, like memory, created by a combination of algorithm, time, intention and visual excess.

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